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Nil Yalter

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We are looking forward to viewing artist Nil Yalter’s very first solo exhibition at MOT International London. She was a founding member of the ‘Femme en Association/Women in Struggle’ when arriving at Paris from Turkey in 1965 and became a key figure in the feminist art movement. Her work engages with the themes of gender, displacement and cultural identity. As a migrant herself in the second half of the 20th century and therefore often documented the lives of different groups of immigrants and political exiles that she met through her contributions to worker’s unions and cultural organisations.

Visually, her work offers rich and poetic understandings of political unrest by embellishing the contexts of marginal histories, privileging narratives (that are often left unvoiced) with personal touches. Her drawings, photographs and videos paint a critical portrait of the spaces women occupy. Some of our favourite pieces features series of photographs depicting real people and places fixed below subtle illustrations that highlights the politics of disappearance through pastel colours and strong lines. We also love ‘Harem’ (1979), a video that focuses onto the body of a woman, cropped neck down and dressed in an elusive black body suit with a television set that appears to show a seductive woman’s lips placed in between the subject's open legs.

Nil Yalter: 6 February – 28 March 2015

MOT International Gallery, 72 New Bond St., 1st Fl., London
W1S 1RR

tags: Wingshan Smith
categories: art, politics
Wednesday 02.18.15
Posted by Wingshan Smith
 

Milos Rajkovic

Serbian artist, Milos Rajkovic creates eerily poignant and dystopian socio-political gifs that visually elaborates on the social injustices in our contemporary society. Anti-capitalist themes revolve around technology, materialism and class-struggle are embodied by gifs. depicting (amongst other bizarre and witty creations) a dead businessman by a computer screen, penetrated by a tree growing from the ground and a Ronald McDonald figure with a bag on it’s head, oblivious to the pile of waste created by the fast food industry.

In many ways, we can see resemblance in style and process between Rajovic and street art legend, Banksy who touched minds and souls when he too harnessed a very accessible and public medium (like gifs.) using street walls.

The form hovers between a video and static picture. Its repetitive nature makes it a perfect medium for contemporary artists to make memorable political statements that speak to the more visually receptive generation.

tags: Wingshan Smith
categories: art, politics, technology
Sunday 01.04.15
Posted by Wingshan Smith
 

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